Will of Blue Yacht Management had finally got the b*ggers to do their jobs - no mean feat - but my plans for a midweek shakedown sail had been given, quite literally, a rain check when a system swept briefly through, breaking a spell of fine weather with heavy rain and force 7 winds. But that had moved on now, leaving beautiful sunshine and breezy conditions in its wake. On the plus side, the marine tradesmen had won an extra few days to (not quite) finish their work and (almost) put everything back where it was meant to be.
I abandoned the train for a change and took the car down to the coast. Not the ridiculously flash (not to mention obscenely big) new SUV with all the V6 go-faster bits, acquired for a massive discount back in the depths of the motor industry's recessionary despair in February, using some of my ill-gotten earnings from the banking crisis. SWMBO and the bambini had hijacked that and taken it to Italy for the half-term holiday. It seemed to be quite expensive to keep fueled up, if my wife's ever more frequently-texted demands for internet cash transfers was anything to go by. Clearly it was eating into her clothes shopping budget. Instead, I got SWMBO's geriatric VW Golf. As it wheezed down the A3, I could feel the tension of the last few weeks falling away as London fell behind and the rolling countryside of Surrey and Hampshire slipped by in a myriad hues of incandescent green under the glorious sunshine.
I even got to choose the music for a change - normally I have to suffer through High School Musical 23 (or, like, wha'ever) or Barbie Girl - and lost myself in Cat Stevens' Foreigner Suite, part of the soundtrack of my youth. Not that it's aged any better than I have. Cat still sounds like he can't quite make "Cos you taste to me as good as God made honey taste, babe" scan properly. The last five-and-a-half minutes still make me want to cry, though. Back in the 1970s, I thought Foreigner was the dog's proverbials and used to drive my brother nuts by nicking it from his LP collection and playing it on my decrepit mono record player - do you remember those really crappy boxes, with a lift-up lid and a sort of mesh speaker across the front? I read in the paper just recently that Cat, or Yusuf to give him the moniker he prefers nowadays, was claiming that Coldplay's Viva La Vida sounded suspiciously like the closing section of Foreigner Suite. Viva La Vida is easily one the most-played tracks on my iPod - ever since I saw one of the contestants on the Italian version of X Factor (we're a highbrow household, you see) do a cover version live that kicked Coldplay right out into the long grass - and I can kind of see what Yusuf is on about, but honestly I think he's stretching a point.
The last few weeks had been a little nerve-wracking, as work on Arabella seemed to lurch from one period of inactivity to the next, punctuated by occasional attempts by the contractors to meet their (broken) deadlines. Now she was ready to sail, if not quite finished in the everyday sense of that word - anyone who has ever used a boatyard will have learned that marine tradesmen have a less demanding definition of 'finished' than the rest of the world - and I had also got a couple of small jobs done on her myself - in particular re-bedding the forehatch gasket with a fresh layer of sealant in the hope of keeping Arabella's interior dry if we took green water over the foredeck, as we had done in the Round The Island Race last year. My handiwork had passed the hosepipe test - we'd see what happened if conditions this year were like last year's.

With only three weeks now remaining until this year's RTIR, I'd opted not to fit-out Arabella's interior with all of her normal cruising comforts. I would only have to strip her bare again before the race, or else suffer the annual round of complaints from my once-annual race crew that she was "too heavy with all this crap on board". Arabella might as well stay light for the race. Her cruising kit stayed safely in my lock-up.
Meanwhile, I made sure that everything was ready for tomorrow's test sail. My older brother, C., an experienced blue water cruising yachtsman, had "volunteered" to come out with me and check everything on board Arabella was functional. You might have thought that was a given, but much of Arabella's cabling had been re-routed at the same time as the new locker dividers had been glassed in, as part of my ongoing campaign to ensure we didn't lose all the electrics to an early bath.

At the same time, all the mast cabling connections had been tidied up and simplified so that a master's degree in electronics was no longer required to disconnect and re-connect the masthead cables every time the mast was unstepped. In the circumstances, I'd have been surprised if everything did work first time out.



I had two more little tricks up my sleeve. One of them was technological and would be unveiled and tested tomorrow. The other one involved some new deck hardware, which I had fallen in love with when sailing OnDeck's First 40.7 the other week, and which I had asked the yard to fit in advance of the Round The Island Race. I wasn't going to hold my breath on that happening, however.
I ran my hand one last time over Arabella's newly-varnished brightwork, and headed off in seach of food, leaving her behind in the cool twilight.